Furthermore, combining the talents of a renowned playwright, Kirsten Greenidge, and a Black composer from the 18th century creates a unique artistic collaboration. It allows for the blending of different artistic styles and storytelling techniques, resulting in a rich and dynamic performance that is more relevant and relatable to contemporary audiences. Greenidge’s contemporary perspective can help bridge the gap between 18th-century music and the present day, making it more accessible and engaging for audiences. Through directing this piece, I celebrate Joseph Bologne’s remarkable talent and amplify voices and narratives that have been historically marginalized.

In a broader context, producing Joseph Bologne’s music symbolizes a commitment to acknowledging and honoring the contributions of historically underrepresented BIPOC artists. Through the performance and appreciation of The Anonymous Lover, we preserve a significant part of musical history. Often, opera plots center around trauma and pain, but The Anonymous Lover is a celebration. It is an opera that evokes merriment, humor and fun. As this multicultural ensemble celebrates love and song joyously onstage, we witness the beauty and sheer delight that is possible while reflecting the world around us onstage.

As a stage director, I relish every opportunity to present compelling and transformative work that entertains, educates, and challenges audiences. Whether it’s a play, musical, or opera, I look for the common thread between the work’s historical context and its relevance today. I seek the story’s universality and how to tell the story through the lens of a director of color. Rarely do I find these objectives met through the work and life of the composer.

For you as audience members, we hope Bologne’s joy, humor, and love fill your cup as much as they have ours.