Praised by The San Francisco Chronicle as “hauntingly lovely and deeply personal,” Lembit Beecher’s music combines “alluring” textures (The New York Times) and vividly imaginative colors with striking emotional immediacy. Noted for his collaborative spirit and “ingenious” interdisciplinary projects (The Wall Street Journal), Lembit is currently the composer-in-residence of the Saint Paul Chamber Orchestra, having previously served a three-year term as the inaugural composer-in-residence of Opera Philadelphia in collaboration with Gotham Chamber Opera and Music-Theatre Group. A constant across his wide range of works is a potent sense of drama, which manifests itself through a quirky, thoughtful musical language, filled with both poignant intimacy and propulsive rhythmic energy. Born to Estonian and American parents, Lembit grew up under the redwoods in Santa Cruz, California, a few miles from the wild Pacific. Since then he has lived in Boston, Houston, Ann Arbor, Berlin, New York and Philadelphia, earning degrees from Harvard, Rice and the University of Michigan. This varied background has made him particularly sensitive to place, ecology, memory, and the multitude of ways in which people tell stories.

Recent and upcoming premieres include “The Conference of the Birds” for the chamber orchestra A Far Cry, as well as new works for the Diderot Quartet, Detroit Chamber Winds and Strings, Opera Philadelphia and the Juilliard Quartet. Many of Lembit's latest projects involve the incorporation of untraditional elements into operatic form, working with baroque instruments, electronic sounds, animation, new technologies, and devised theatre actors. Recent honors include a MacDowell Colony Fellowship, the S&R Foundation Washington Award Grand Prize, and a major grant from the Pew Center for Arts and Heritage to develop and produce “Sophia’s Forest,” a chamber opera for soprano Kiera Duffy, the Aizuri Quartet, and a multi-piece sound sculpture, developed in collaboration with librettist Hannah Moscovitch, director Brian Staufenbiel and the ExCITe Center at Drexel University. This interdisciplinary approach was seen in Lembit's first major dramatic work, the documentary oratorio “And Then I Remember,” which incorporated recorded interviews with his grandmother and subtle video elements. "Evoking laughter at times, chilling nostalgia and a sense of timelessness," (CultureMap Houston) the piece chronicles his grandmother’s journey from Estonia to the United States in the aftermath of World War II. Carl Schoonover, host at WKCR-89.9 FM, raved: “Lembit Beecher’s searing oratorio…employs microscopic historical narratives, the minutiae of human relations, and the cultural contingencies that shape them, to achieve a work of striking universality." Completed while a fellow at the University of Michigan Institute for the Humanities, “And Then I Remember” won the Opera Vista Competition for new opera, and has been produced as a concert piece, semi-staged oratorio and fully staged opera in Ann Arbor, Houston, New York and San Francisco. Lembit’s New York City opera debut came in 2014 with Gotham Chamber Opera’s premiere of “I Have No Stories To Tell You,” staged in the medieval sculpture hall of the Metropolitan Museum of Art. Paul Pelkonen, of Super-Conductor, hailed the work, a collaboration with librettist Hannah Moscovitch, as "richly written," musically "hypnotic," and a "harrowing account of post-traumatic stress disorder." 

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