David T. Little is “one of the most imaginative young composers” on the scene (The New Yorker), with “a knack for overturning musical conventions” (The New York Times). His operas Dog Days, JFK, and Vinkensport (librettos by Royce Vavrek), and Soldier Songs have been widely acclaimed, “prov[ing] beyond any doubt that opera has both a relevant present and a bright future” (The New York Times).

Other recent works include hold my tongue (Muziekgebouw aan ‘t IJ), the earthen lack (London Sinfonietta / BGSU), Ghostlight—ritual for six players (Eighth Blackbird / The Kennedy Center), AGENCY (Kronos Quartet), and dress in magic amulets, dark, from My feet (The Crossing) and Black Lodge (Beth Morrison Projects). Little is currently composing a new monodrama for GRAMMY-winning tenor Karim Sulayman and Alarm Will Sound, based on Garth Greenwell’s celebrated novel What Belongs to You, as well as a new solo cello work for virtuoso Matt Haimovitz; he is also developing a new work commissioned by the Metropolitan Opera / Lincoln Center Theater new work program.

Little’s music has been presented by the LA Philharmonic, Carnegie Hall, LA Opera, the Park Avenue Armory, Holland Festival, Chicago Symphony Orchestra, BAM Next Wave, and Opéra de Montréal. He has previously served as Executive Director of MATA and on the board of directors at Chamber Music America, and currently chairs the composition program at Mannes—The New School. From 2014–2017, he was Composer-in-Residence with Opera Philadelphia and Music-Theatre Group. The founding artistic director of the ensemble Newspeak, his music can be heard on New Amsterdam, Innova, Sono Luminus, Centaur, and National Sawdust Tracks labels.

David T. Little is published by Boosey & Hawkes.

More at davidtlittle.com